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Gracie Abrams drew on Baz Luhrmann’s 1996 Romeo and Juliet for her Halloween Saturday Night Live performances on October 31. She wore armor over a ’90s Hawaiian shirt for one look and a Chanel silk gown with angel wings for another, then changed into a bloodied vampire look for the after-party.

Gracie Abrams brought the imagery of Baz Luhrmann’s Romeo and Juliet to the Halloween edition of Saturday Night Live on October 31, performing in a pair of costumes inspired by the film’s masked party scene. Her looks included armor over a ’90s Hawaiian shirt and a custom Chanel silk gown with angel wings, linking the show’s seasonal costumes to the two-song set.

A report by Harper’s Bazaar said Abrams was the musical guest on the October 31 episode, hosted by Inde Navarrette. She performed “Hit the Wall,” the lead single from Daughter From Hell, and gave “Here You Come, There You Go” its live debut, according to the publication.

The costume references came from the Capulet mansion party in Luhrmann’s 1996 film. Abrams’s first look reworked Romeo’s prince-in-armor costume by layering armor over a 1990s-style Hawaiian shirt. For the second, she drew on Claire Danes’s angelic Juliet, wearing a long white silk dress by Chanel with angel wings.

Harper’s Bazaar reported that the gown came from Chanel’s 2026 Métiers d’Art collection and took more than 600 hours to make. The report described it as featuring delicate pleating and embroidery, with 30,000 glass beads, 2,000 crystals and 33,000 silver sequins. After the broadcast, Abrams changed into a lacy white maxi dress and added fake blood for an after-party vampire look, the publication reported.

At a glance
reportWhen: Reported after the October 31 Halloween…
The developmentGracie Abrams used two costumes inspired by Romeo and Juliet for her Halloween Saturday Night Live set, including a custom Chanel gown and an armor look.

A Film Reference Shapes the Stage Looks

The costumes gave Abrams’s Halloween performance a visual thread connecting both songs, rather than treating the occasion as a standalone dress-up moment. The contrast between Romeo’s armor and Juliet’s angel wings made the inspiration legible while allowing the singer’s stage clothing to reinterpret the film’s designs.

The Chanel gown also drew attention to the craft behind a major fashion look. Its reported 600-plus hours of work and thousands of decorative elements show the scale of the garment, while its appearance on a live music broadcast placed a runway collection in a performance setting. The source does not report the gown’s value or whether it was made specifically for Abrams.

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The Capulet Party in Luhrmann’s Film

Luhrmann’s 1996 adaptation sets Shakespeare’s tragedy in a contemporary visual world while retaining much of the original language. Its Capulet party became a defining sequence: Romeo appears in shining armor, while Juliet wears an angel costume. The contrast between the characters’ outfits helps establish the film’s mix of youth culture and classical story.

The film also became known for its fashion and visual style, with designs associated with Prada and Dolce & Gabbana, as well as its fast-paced editing and contemporary music. Abrams’s choices reference that particular scene, not a general historical interpretation of the play. The reported looks translated its recognizable silhouettes into a modern stage wardrobe.

Details Not Confirmed by the Report

The available source identifies the costumes, performance songs and reported construction details of the Chanel gown, but does not include statements from Abrams, Chanel or the show’s costume team explaining how the looks were selected. It is not clear whether the gown was borrowed, commissioned for the performance or styled from the collection for this appearance.

The report also does not provide a full set list, details about the staging of either song, or information about how the looks were coordinated with the episode’s production. The stated embellishment counts and production time are attributed to Harper’s Bazaar; no separate Chanel confirmation is included in the supplied source material.

The Performance and Looks in Focus

The immediate development is the broadcast and its reported live debut of “Here You Come, There You Go.” Further information about the song’s performance or the wardrobe’s production would need to come from Abrams, Chanel, the program or additional reporting. The source gives no announcement of a related release or follow-up event.

For now, the confirmed report centers on the October 31 appearance: two songs, two film-inspired stage looks and a separate vampire costume for the after-party. Any further claims about the outfits’ design process or the singer’s intentions should be treated as unconfirmed unless attributed to a source with direct knowledge.

Key Questions

When did Gracie Abrams perform on Saturday Night Live?

Abrams was the musical guest on the October 31 Halloween episode, hosted by Inde Navarrette, according to Harper’s Bazaar.

Which songs did Abrams perform?

The report says she performed “Hit the Wall”, the lead single from Daughter From Hell, and gave “Here You Come, There You Go” its live debut.

What inspired Abrams’s costumes?

Her two stage looks referenced the Capulet party in Baz Luhrmann’s 1996 film adaptation of Romeo and Juliet: Romeo’s armor costume and Juliet’s angel look.

What was distinctive about the Chanel gown?

Harper’s Bazaar reported that the white silk gown came from Chanel’s 2026 Métiers d’Art collection, took more than 600 hours to complete and included thousands of beads, crystals and sequins.

What did Abrams wear after the show?

For the after-party, Abrams changed into a lacy white maxi dress and added fake blood for a vampire-inspired costume, according to the report.

Source: harpersbazaar.com

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