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Daisy Edgar-Jones wore a cream-and-purple corset and skirt set from Stella McCartney’s Spring 1999 collection for Chloé at the Los Angeles premiere of Sense and Sensibility. Stylist Dani Michelle said the vintage look had been central to a mood board for the actor’s press-tour wardrobe and was sourced by Raffe Vintage.
Daisy Edgar-Jones wore a cream-and-purple corset set from Stella McCartney’s Spring 1999 collection for Chloé at the Los Angeles premiere of Sense and Sensibility, bringing a vintage runway look to what stylist Dani Michelle described as the final red carpet of the film’s press tour. The outfit’s lavender tones also connected the actor’s premiere wardrobe with her character, Elinor Dashwood.
The ensemble paired a cream corset with floral detailing and a sweetheart neckline with a coordinating two-tone skirt. A semi-sheer shawl was draped over Edgar-Jones’s shoulders, and matching open-toe heels completed the look. The report described the skirt’s purple shade as a reference to the soft lavender hues associated with Elinor’s wardrobe in the film.
Michelle said in an Instagram post that she began developing a fashion mood board after seeing the movie earlier in the year. She wrote that the 1999 Chloé design was central to the board and credited the vintage shop Raffe Vintage with sourcing it. Her account establishes the stylist’s stated approach; the source does not provide further details about the garment’s history or how it was obtained.
Michelle also said Edgar-Jones wanted to wear lavender to honor Elinor’s costumes and that closing the premiere run with this outfit felt meaningful. The report characterized the look as the final stop in a series of press-tour outfits drawing on period clothing, including corsetry and empire-waist references. Those descriptions reflect the styling concept rather than a formal statement about the film’s wardrobe.
A Vintage Look Tied to Elinor
The outfit brought together archival fashion and character-led styling at a high-profile film event. Rather than reproducing a period costume, the look used a contemporary red-carpet silhouette and a vintage designer set to refer to Elinor’s lavender palette. For readers following celebrity fashion, the appearance also offers a clear example of how stylists can use a garment’s color and design history to connect a premiere look to a role.
It also places attention on a specific piece of fashion history: McCartney’s early work at Chloé. The source identifies the set as part of the brand’s Spring 1999 collection, but does not establish that it is rare, the first of its kind to be worn publicly, or a broader trend. Its significance here is the combination of a documented collection attribution, a vintage source, and Michelle’s explanation of why she chose it for the premiere.
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The Press Tour’s Period References
Edgar-Jones stars as Elinor Dashwood in Sense and Sensibility, and the report describes the film’s press-tour styling as drawing on Georgian-era references. Michelle and Edgar-Jones used details such as corsetry, romantic undergarments and empire waists in modern red-carpet outfits, according to the Harper’s Bazaar report.
The Los Angeles appearance was presented as the final look in that run. Michelle’s Instagram comments link the lavender styling to Elinor’s costumes and identify the vintage Chloé set as an idea carried through from the mood-board stage. The available source focuses on the outfit and styling process; it does not give a full schedule of the tour or document every look worn along the way.
“This 1999 Chloé by Stella McCartney was center of our mood board, and it was the magical girls at Raffe Vintage that sourced this look into our lives.”
— Dani Michelle, Edgar-Jones’s stylist, in an Instagram post
Details Behind the Vintage Set
The report identifies the outfit as part of Chloé’s Spring 1999 collection under Stella McCartney, but does not name the specific runway look or provide a collection image for comparison. It also does not state whether the set was altered, how it was preserved, or whether it was borrowed, rented or purchased. Those details remain unconfirmed in the available material.
The article calls the premiere the final appearance in the film’s press-tour run, based on its reporting and Michelle’s comments. It does not provide an independently confirmed tour schedule or specify whether additional promotional events may take place. No further statement from Edgar-Jones is included in the source.
The Premiere Closes the Styling Run
The Los Angeles premiere appearance was presented as the final red-carpet look of the press tour. The source offers no announced follow-up event or additional wardrobe plans for Edgar-Jones. Further details about the vintage garment may emerge from the stylist, the vintage shop or collection archives, but none are included in the report.
For now, the confirmed development is the appearance itself: Edgar-Jones wore the 1999 Chloé set, Michelle linked its lavender palette to Elinor, and the stylist credited Raffe Vintage with sourcing it. Any claims about the outfit’s rarity, value or future exhibition would require additional sourcing.
Key Questions
What did Daisy Edgar-Jones wear to the Sense and Sensibility premiere?
She wore a cream corset with floral detailing, a coordinating two-tone skirt and a semi-sheer shawl, with matching open-toe heels.
Who designed the vintage outfit?
The set was identified as a look from Stella McCartney’s Spring 1999 collection for Chloé.
Why was the outfit lavender and purple?
Stylist Dani Michelle said Edgar-Jones wanted to wear lavender to honor Elinor’s costumes in the film.
Who sourced the outfit?
Michelle credited Raffe Vintage with sourcing the set. The report does not give further details about its ownership or the process used to find it.
Was this the final look of the film’s press tour?
The report describes it as the final red-carpet look of the press tour, and Michelle referred to it as their final red carpet. The source does not list any possible later promotional events.
Source: rss
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